Hamish Gough

Who they are

Hamish Gough is Production Kit Assistant / Field Equipment Coordinator at Silverback Films — a specialist in motion-controlled time-lapse photography and macro photography for natural history production.

Person

Hamish joined Silverback Films in June 2022, taking on a field equipment coordination role at one of the UK's leading natural history production companies. Before that, he worked at Cambium Networks as an Information Technology Lead — a sharp pivot that suggests he brings a technical, systems-thinking background into a creative production environment. His screen credits on IMDB include work as a Second Unit Director and Assistant Director, and he has also operated as a Director of Photography — a range that spans behind-camera craft and unit management. His specialist areas are wildlife filmmaking, macro photography, and motion-controlled time-lapse photography, the kind of technically demanding disciplines that sit at the intersection of engineering precision and natural history storytelling. Possibly — his IT background at Cambium Networks is what makes him valuable as an equipment coordinator: someone who can wrangle complex camera rigs and field kit with the rigour of a systems engineer.

How they likely show up

  • Background spanning IT Lead at Cambium Networks and DoP/AD credits → likely bridges technical and creative conversations fluently, comfortable in both worlds.
  • Specialist role in motion-controlled time-lapse and macro photography → probably detail-oriented and methodical; this is gear-intensive, precision-first work.
  • Moved from a tech company (Cambium Networks) into natural history production → suggests self-directed career change, not someone who drifts passively.
  • Role as Field Equipment Coordinator at a production company → likely thrives on logistics, preparation, and solving problems before they become on-location crises.
  • Possibly — IMDB credits as Second Unit Director and DoP alongside a coordination role suggest someone who prefers hands-on involvement over desk-based oversight.

Conversation tips

  • → Ask about the kit — motion-controlled time-lapse rigs and macro setups are specialised and he clearly knows them in depth; he'll engage immediately on the technical specifics.
  • → His IT background at Cambium Networks is genuinely unusual for a natural history production role — it's a good thread to pull on if you want to understand how he thinks about equipment systems.
  • → Don't treat him as purely logistical; his IMDB credits show he's worked creatively as a DoP and director, so engage him on the filmmaking side too.
  • → Possibly — Bristol-based (if so), which puts him in the heart of the UK natural history production world; regional context may be worth referencing.

Toolbox

Openers

  • Open on motion-controlled time-lapse photography — it's one of his named specialist areas and a technically demanding discipline that most people in production can't speak to; coming in with a specific question about rig setup or controller systems will land well.
  • Reference his Cambium Networks background — going from IT Lead at a networking technology company to Field Equipment Coordinator at a natural history production house is an unusual move, and he's presumably made it work to his advantage.
  • Mention his IMDB credits as Second Unit Director and Director of Photography — he's operated well beyond a kit coordination role, and acknowledging that range signals you've done the work.

Discovery questions

  1. How does an IT background actually change the way you manage field equipment on a natural history shoot — do you approach kit systems differently to people who came up purely through production?
  2. What's the most technically complex motion-control or time-lapse setup you've had to coordinate in the field, and what made it hard?
  3. Moving from DoP and directing credits into an equipment coordination role — is that a deliberate specialisation, or do you still step behind the camera when the job calls for it?

Avoid

Don't conflate his role with a purely logistical or back-office function — he has directing and DoP credits and specialist camera craft that go well beyond kit management.

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Sources

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Generated by briefthecall.com from public web sources on August 17, 2026. Each claim is linked to its source above.

Automatically generated by AI from public sources. May be inaccurate or out of date. Remove or correct this profile →